





Curated by Ian Hartshorne and Sean Kaye for Teaching Painting, Fully Awake is the first of a five part intergenerational cycle of exhibitions involving academics, artists and art educators in the UK. Over the next 2 years it will involve 180 exhibitors and 60 UK institutions. In each version of the show several artists are invited to submit a piece of work to be included in an exhibition. In addition to submitting a piece of work themselves, the artists are also asked to invite two ‘guests’ (each of whom will also submit work for exhibition) with the following conditions: one must be an artist that they have been taught by; and one must be an artist that they have taught. This unorthodox invitational approach creates unexpected fluid networks through collaborations and the exhibitions are intended to reveal these.
Teaching Painting is an organisational collaborative network - an alliance of university and art school lecturers that began in 2015. The organisation was initially developed from a series of studio discussions had between members of staff at Manchester School of Art. The organisation’s remit is to encourage intergenerational and institutional collaboration, to stimulate, promote and discuss the physical, theoretical and philosophical positions that painting and its associated debates currently occupy. Through conferences, publications, exhibitions and workshops we articulate how pedagogical and andragogical issues, alongside aesthetic and ideological considerations can contribute and shape painting provision.

Descending; John McClenaghen, 2016; acrylic silkscreen wood and mixed media; dimensions variable

Nick Turner seen from three sides; Lucinda Turner, 2016; acrylic on paper on board; 135 × 97cm

SERIES OF DREAMS NUMBER FIVE; James Cosgrove, 2017; oil on canvas; 120 × 100cm

“Rablio”; Phil Allen, 2016; oil on canvas; 90 × 86cm

Junko California; Amy Moffat, 2016; magazine, shelf; 28.5 × 22cm

The Triumphs of C; Howard Rogers, 2016; oil, canvas; 100 × 75cm

Monochrome; Hannah Weatherhead, 2016; oil and acrylic on aluminium panel with nylon rope; 50 × 40 × 1cm
![the world is round - block landscape 1; Moyra Derby, 2016; acrylic on double sided plywood and acrylic hinged panels; 55 × 55cm + 55 × 34cm [55 × 55cm when folded]](https://cdn.myportfolio.com/1478be79-1234-4683-94a7-6561c888e1ba/8d4d96b5-5ac0-4c25-8841-7989ded36465_rw_3840.jpg?h=cdf01241f2276c81b9d469a636eddd88)
the world is round - block landscape 1; Moyra Derby, 2016; acrylic on double sided plywood and acrylic hinged panels; 55 × 55cm + 55 × 34cm [55 × 55cm when folded]

Mellow; Vanessa Jackson RA, 2015; oil on canvas; 75 × 60cm

Lives of the Painters; Jeff Dennis, 2009; oil on linen; 102 × 117cm

Marina; Mathew Sawyer, 2016; marker pen on hardboard; 105 × 122cm

Yellow Room III; David Trenow, 2015; acrylic on canvas; 91.5 × 76cm

Inexact, precise; Daniel Sturgis, 2015; acrylic on canvas; 61 × 61cm

Feather Duster Painting; May Hands, 2014; aluminium stretcher, polythene, scrim, ink, chopped feather duster and cotton wool; 100 × 70cm
![20 broadsheets; David Troostwyk, 1979; framed broadsheets; 46.4 × 33.7 × 2.5cm [×20]](https://cdn.myportfolio.com/1478be79-1234-4683-94a7-6561c888e1ba/070b01a6-d6c7-4e2f-97c5-26ccf5bc953c_rw_3840.jpg?h=73dc89a2323b1326796b5c10a099968e)
20 broadsheets; David Troostwyk, 1979; framed broadsheets; 46.4 × 33.7 × 2.5cm [×20]

Blip Blip Blip, Leeds, with works by James Tabbush and John Stezaker.; Andrew Grassie, 2016/17; tempera on paper on board; 19 × 12.5cm

All Whores are Jacobites; Georgia Horgan, 2017; digital film; 00:21:30

Testbed; Neil Clements, 2016; oil on canvas; 80 × 80cm

Quarry; Carol Rhodes, 2000; pencil on paper; 51 × 46cm

“Draw a shape, a square, and personalise it”; Harriet Sutcliffe, 2017; paper collage with black and white photograph from The Fine Art Department Archive, Newcastle University, circa 1960; 41 × 61cm

Untitled; Erwin Gross, 2007/2016; gouache and pencil on digital print; 28 × 20cm

Black square; Catrin Huber, 2016; print and collage; 32 × 45cm

Siscicily; Katie Pratt, 2017; oil, encaustic on canvas; 36 × 46cm

interference; Rosa Lee, 2016; marker pen on hardboard; 174 × 148cm

Zzle; Ilchi Kim, 2010; acrylic on canvas; 120 × 120cm

Mt St Victoire; Magnus Quaife, 2017; collage; dimensions variable

Lonely Liar; Rafal Topelewski, 2017; oil on canvas; 31 × 20.5cm

New Blue; Mali Morris, 2010; acrylic on canvas; 40 × 50cm

Land Agent; James Tabbush, 2016; oil on board; 61 × 97cm

Nest X; John Stezaker, 2014; collage; 20.4 × 25.8cm














