He pulled the mirrors off his Cadillac - YEAH - 'cause he doesn't like it looking like he looks back...; The Hut Project, 2013; The Hut Project, The Baroness, 2012, Artificial flowers arranged by Xanthe Edmunds, stolen log, oversize acrylic wine glass, beach sand; Drilled OSB board; 210 × 160 × 150cm approx.
He pulled the mirrors off his Cadillac - YEAH - 'cause he doesn't like it looking like he looks back...; The Hut Project, 2013; The Hut Project, The Baroness, 2012, Artificial flowers arranged by Xanthe Edmunds, stolen log, oversize acrylic wine glass, beach sand; Drilled OSB board; 210 × 160 × 150cm approx.
Baldwin, M., Harrison, C. and Ramsden, M., Art & Language In Practice, Vol.1: Illustrated Handbook (Barcelona: Fundació Antoni Tàpies, 1999) p.199
This Places Everything; The Hut Project, 2013; The Hut Project, Conceptual Beard, 2011, Black and white Inkjet print (photo-documentation of Christopher Bird's participation in Ryan Gander's We Are Constant, 2009), Digital C-type print in black wooden frame with card mount (photograph of The Hut Project Painting with Art & Language taken in the dark, as per The Hut Project, Untitled by Giorgio Sadotti, 2009, as per The Hut Project, It's to Me, It's You: Giorgio Sadotti, 2008 (being Alfred Johansen, Untitled, 1966 by Elmgreen and Dragset, 2004)), 10L vinyl matt emulsion in 'Limoncello Green' (Edition 5 of The Hut Project, It's Not Me It's You: Vanessa Billy, 2008); dimensions variable
Baldwin, M., Harrison, C. and Ramsden, M., Art & Language In Practice, Vol.1: Illustrated Handbook (Barcelona: Fundació Antoni Tàpies, 1999) p.227
Pepperoni; The Hut Project, 2012; Digital video; 00:00:09 [looped]
Baldwin, M., Harrison, C. and Ramsden, M., Art & Language In Practice, Vol.1: Illustrated Handbook (Barcelona: Fundació Antoni Tàpies, 1999) p.209
Baldwin, M., Harrison, C. and Ramsden, M., Art & Language In Practice, Vol.1: Illustrated Handbook (Barcelona: Fundació Antoni Tàpies, 1999) pp.129-130
Old Kunst; The Hut Project, 2008; Digital C-type print, wooden frame; 56 × 41cm
With the best will in the world I can't see with the best will in the world I can't see with the best will in the world I can't see with the best will in the world I can't see With the best will in the world I can't see a swastika; The Hut Project, 2013 - ongoing; Acrylic paint on Inkjet print on canvas; dimensions variable
Map of Itself; Art & Language, 1967; Letterpress print, edition of 50; 37 × 46cm
Baldwin, M., Harrison, C. and Ramsden, M., Art & Language In Practice, Vol.1: Illustrated Handbook (Barcelona: Fundació Antoni Tàpies, 1999) pp.277-278
Untitled; The Hut Project, 2013; Recovered parquet; 12' × 12'