The doubles series normally asks a mid career artist to invite another, younger artist, with whom they have some form of artistic relationship, to make an exhibition with them. This time, for the fourth show in the series, The Hut Project have nominated the more established Art & Language.
The Hut Project are presenting both new works and works recombined from earlier pieces. They have also selected works by Art & Language to act as 'keys' to their own - presented as renderings of the interpretive texts written by Art & Language for each work in the book 'Art & Language in Practice', 1999.
This exhibition has been undertaken with permission from Art & Language.
The Hut Project are presenting both new works and works recombined from earlier pieces. They have also selected works by Art & Language to act as 'keys' to their own - presented as renderings of the interpretive texts written by Art & Language for each work in the book 'Art & Language in Practice', 1999.
This exhibition has been undertaken with permission from Art & Language.
He pulled the mirrors off his Cadillac - YEAH - 'cause he doesn't like it looking like he looks back...; The Hut Project, 2013; The Hut Project, The Baroness, 2012, Artificial flowers arranged by Xanthe Edmunds, stolen log, oversize acrylic wine glass, beach sand; Drilled OSB board; 210 × 160 × 150cm approx.
He pulled the mirrors off his Cadillac - YEAH - 'cause he doesn't like it looking like he looks back...; The Hut Project, 2013; The Hut Project, The Baroness, 2012, Artificial flowers arranged by Xanthe Edmunds, stolen log, oversize acrylic wine glass, beach sand; Drilled OSB board; 210 × 160 × 150cm approx.
Baldwin, M., Harrison, C. and Ramsden, M., Art & Language In Practice, Vol.1: Illustrated Handbook (Barcelona: Fundació Antoni Tàpies, 1999) p.199
This Places Everything; The Hut Project, 2013; The Hut Project, Conceptual Beard, 2011, Black and white Inkjet print (photo-documentation of Christopher Bird's participation in Ryan Gander's We Are Constant, 2009), Digital C-type print in black wooden frame with card mount (photograph of The Hut Project Painting with Art & Language taken in the dark, as per The Hut Project, Untitled by Giorgio Sadotti, 2009, as per The Hut Project, It's to Me, It's You: Giorgio Sadotti, 2008 (being Alfred Johansen, Untitled, 1966 by Elmgreen and Dragset, 2004)), 10L vinyl matt emulsion in 'Limoncello Green' (Edition 5 of The Hut Project, It's Not Me It's You: Vanessa Billy, 2008); dimensions variable
Baldwin, M., Harrison, C. and Ramsden, M., Art & Language In Practice, Vol.1: Illustrated Handbook (Barcelona: Fundació Antoni Tàpies, 1999) p.227
![Pepperoni; The Hut Project, 2012; Digital video; 00:00:09 [looped]](https://cdn.myportfolio.com/1478be79-1234-4683-94a7-6561c888e1ba/33f907b1-ad3e-400b-b592-e444ec016b5e_rw_3840.jpg?h=2f5334dbfa0f6e081a7225119de27aa7)
Pepperoni; The Hut Project, 2012; Digital video; 00:00:09 [looped]
Baldwin, M., Harrison, C. and Ramsden, M., Art & Language In Practice, Vol.1: Illustrated Handbook (Barcelona: Fundació Antoni Tàpies, 1999) p.209
Baldwin, M., Harrison, C. and Ramsden, M., Art & Language In Practice, Vol.1: Illustrated Handbook (Barcelona: Fundació Antoni Tàpies, 1999) pp.129-130
Old Kunst; The Hut Project, 2008; Digital C-type print, wooden frame; 56 × 41cm
With the best will in the world I can't see with the best will in the world I can't see with the best will in the world I can't see with the best will in the world I can't see With the best will in the world I can't see a swastika; The Hut Project, 2013 - ongoing; Acrylic paint on Inkjet print on canvas; dimensions variable
Map of Itself; Art & Language, 1967; Letterpress print, edition of 50; 37 × 46cm
Baldwin, M., Harrison, C. and Ramsden, M., Art & Language In Practice, Vol.1: Illustrated Handbook (Barcelona: Fundació Antoni Tàpies, 1999) pp.277-278
Untitled; The Hut Project, 2013; Recovered parquet; 12' × 12'
